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Reportedly, Cole Porter himself was endlessly amused by the gay-free portrait of him in ‘Night and Day’.īut particularly when a film is made about a high-profile (apparently marginally spiritual, though believed to be more so) figure such as Gandhi, those-in-the-know can be forgiven for feeling a deep sense of betrayal. (Though, as my partner and I noticed last night, for all its horror and vulgarity, something like ‘Party Monster’ appears a reliable warts-and-all depiction, with emphasis on the warts.)Įlsewhere, we might not mind a faux-bio. Grenier sure has ‘ammunition’ at his fingertips.) Of course (as noted), most people know that the average biopic runs along the lines of fantasy.
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The article linked in the assessment makes a very compelling (and often fairly hilarious) argument against the film – as being almost a complete fraud. I suppose I’m going to have to take a rare divided stance. ( Listed in 1001 Movies You Must See Before You Die) This epic biopic should be required viewing for everyone, not just film fanatics.
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Decades after it released, the film’s intelligent script, superb direction and Lee’s brilliant performance are as powerful as ever, making Jinnah a classic in every sense of the word.“Whenever I despair, I remember that the way of truth and love has always won.” The ones it paints in harsher strokes are historically deemed as the troublemakers, namely Mountbatten who unfairly distributed the land when dividing the countries.īy blurring the lines of fiction and truth, Jinnah is a wholly original and provocative look into one of the fascinating historical figures. The movie is also respectful in its portrayal of other historical figures such as Gandhi, not unfairly maligning their names. Read more: Cursed: Netflix’s Latest Fantasy Fail Muhammad Ali Jinnah was a symbol for the creation of a Muslim homeland and Dehlavi’s movie demystifies him showing different facets of the founder of Pakistan. Jinnah’s beauty lies not just in its faithful depiction of the events of the Partition and the life of the founder of Pakistan, but in also how it recognizes the toll it has taken on the man.
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It is a shame that a lifetime of being typecast as the man who played Dracula prevented him from nabbing a well-deserved nomination for his memorable turn as Muhammad Ali Jinnah. Then there is Christopher Lee himself, who really steps up to the task of playing Jinnah. Shah, in particular, is so well cast that one wishes that the film had taken a few more minutes to expand on her story. Robert Ashby’s performance as Nehru and Shireen Shah as Fatime Bhutto are two other standouts, despite not being given large roles. James Fox and Maria Atiken’s take on the Mountbattens remains refreshing.